Rabbit Holes and Art That Leads Them
I have a Facebook account. A lot of people do, anymore. It hung on better than MySpace and continues to adapt and suck in other websites and spin them and twist them into its own useful web. If I allowed it to, I could cross-post this blog there. Sometimes, I rather hate Facebook. Somehow, the newsfeed has shifted over the years to become a graffiti wall on a college campus. People post funny comics, neat flyers about music and art shows coming up, and diatribes about whatever they like. And sometimes they yell at each other. It’s both anonymous, because you aren’t actually face to face, and not. I keep threatening to back off and just use it as a way of keeping up with distant relatives and then something will happen and I get sucked back in. Sometimes, there are funny things there, you see. Sometimes there are things that make me think.
And sometimes there are the rabbit holes. Someone posted a picture of a newspaper clipping, unattributed, with the in-set quote: “People need art in their houses. They don’t need Bed Bath and Beyond dentist-office art. They need weird stuff.” Ezra Croft, art show producer And I thought, well, who is Ezra Croft? What art show? And of course, I liked the photo that was shared by my friend, because really, I agree. Although I do have some Bed Bath and Beyond dentist-office stuff, because sometimes that’s just weird and cool too.
In our home, we have photographs. Yes, family photographs, but also photographs my dad took and had blown up of the sun setting through the field and trees, and a street lamp in the fog through one of the bois d’arc trees. They’re a matched pair, and I have the vertical set. Another sister has the horizontal set. He couldn’t decide which print he liked better you see. I display them both because he took them, and because I like them.
We have prints. Upstairs in the guest room I have prints of winged cats and butterfly winged dragons. I have beautiful anthropomorphic ladies my talented friend created. I have a small print on the nightstand of Winnie-the-Pooh and Piglet. I have a print by Ursula Vernon that came with her book Digger that I helped support with Kickstarter. Downstairs I have prints of Neil Gaiman quotes, gifts, illustrated by David Mack and Chris Riddell. I have a painting of a silo, hay barn and a small house that my father created years ago. I have metallic and a wooden Kokopelli figures, piping back to back around a corner from each other. I have wind chimes that only sing when the cats tap their pendants, because they’re inside and never feel the breeze. I have a blown glass dragon, a painted paper rhino and a panther, and a piece of Frank Lloyd Wright stained glass. On the stairwell a piece of set from a play hangs on the wall, and in the bathroom a self-portrait of my father as a clown. In my mother’s glass secretary cabinet there are small knick-knacks of a wide variety; from an onyx Madonna to an Under Milkwood miniature to a small weyr of dragons. And rocks. There are of course rocks and sea shells scattered about the house. And I haven’t even gotten to the things with words on that hang in the house, be they in English or languages I don’t read. Scrolls found and kept because they were lovely.
For me, it’s all unique art, but I’m not sure any of it is weird, you see. Because it all means something to me. If you ask me why I have it, invariably the answer is because it was beautiful, and I wanted it. Or some pieces, simply because “my parents had it in their home, and I loved them… and it.” Like the portrait of my parents kissing under a bridge in Pittsburgh, near Three Rivers, framed perfectly, that my uncle took and someone had blown up and framed. Or the prayer that was framed, that was found in a church, that was given to my mother, and the words are lovely, even if I no longer feel particularly Catholic.
I was thinking about these, and others not mentioned, when I stumbled back over the quote and tracked it down. It was in the San Francisco Chronicle, an article written just the 28th of July, about Ezra Croft, who had an art show dedicated to Bill Murray, the comedian. Mostly, it appears to be homages to the actor. The fun thing is, the quote from Mr. Croft? When asked where his day job is? It’s Bed Bath and Beyond. What I took away from the article was that what he really wanted was art to be about connection. Well, he wanted the city’s connection and quirkiness to be back. And maybe, just a little bit, when we see a Peanuts cartoon strip with Lucy’s Psychiatry Booth reimagined as Cthulu’s Psychological Trauma Booth, or other random things on Facebook, some of that connection occurs and keeps some of us there longer.
Then again, for me, art has always been about connection. So perhaps, my art is and always has been just a little bit weird, by those standards.
I’m very okay with that. I like the comfort that weirdness brings.